Sound Suspended

Sound Suspended is a mixed-media installation which uses combinations and juxtapositions to integrate the personal and emotional with larger theoretical and social concerns regarding perception, physics, the distinctions between the staged and the real, and our relationship to nature. My photography addresses the junctures between scientific and artistic processes, the dynamic relationship between materials and the spaces they occupy. My practice thus carries me over conventional media boundaries: I make sculpture, arrange tableaus of picture frames and animal paws, create videos, chase thunderstorms, shoot digitally and with large format equipment, microscopes and telescopes.

Review by Cynde Randall

“From a real body, which was there, proceed radiations which ultimately touch me, who am here; . . . the photograph of the missing being, as Sontag says, will touch me like the delayed rays of a star” –Roland Barthes

For years, photographer and installation artist, Linda Rossi has illuminated the intimate relationship between the human personality and the Earth, seeking to engender our civic response to and reconnection with the sensuality of the planet. Rossi’s love for nature – her longing for its recovery – resonates in her art, leading us to the things we forgot we, too, once loved.

Through the eyes and mind of an artist/scientist/poet Rossi searches for meaning in countless realms, capturing organic patterns that overlap and echo through different paradigms of human understanding, arranging an incredible breadth of imagery with real discernment and sensitivity.

Rossi dwells at the edge (of ideas, places, objects, and theories). She knows from natural systems that the edge (the ecotone) is where life is most fertile. It is in this connection, this relationship, this exchange between things, where the possibilities for the future reside.

In her new exhibition “Sound Suspended” Rossi presents her latest body of work featuring straight large-scale photographs, including silver gelatin prints, c prints, and digital prints; illuminated transparencies; video, and sculpture.

Through this work, Rossi provides the opportunity to experience the aesthetic connection with simple organic forms and patterns (rocks, seeds, skeletal fragments) or complex entities like snow, the moon, or vast bodies of water. Many of Rossi’s larger works address the intersection of science and art, such as the large color print entitled Essence(2005)of a glass chemistry graduate filled with milkweed seeds, or the B&W and color group portraits of catalogued song birds [Songbird Collection I, 2005, Songbird Collection II, 2005].

Rossi’s work begs the question: Where does our relationship with nature truly reside? Ecologist and philosopher, David Abram, asserts that reciprocity, not hierarchy, is the real dynamic for life

In a stand-alone photograph – the only portrait of a human being in the exhibition- Rossi presents a small girl holding an oversized book, damaged by gunfire. The book, titled “Nature” functions metaphorically as both a shield and a map for the girl, who represents all future generations of the human species.

“We can not be studied or cured apart from our relationship with the planet” says psychologist James Hillman, a leading influence in the growing field of eco-pscychology.

Rossi believes it is imperative that we refine our aesthetic relationship with nature. Through our alignment with nature, she knows, it will be possible to face what we need to face, change our behavior and set a new trajectory for our future in the biosphere.

—Cynde Randall